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Acerra Cathedral

Acerra Cathedral Acerra

Acerra Cathedral

In the heart of the quaint town of Acerra, nestled within the metropolitan city of Naples, stands a magnificent edifice that has borne witness to centuries of history and devotion. The Acerra Cathedral, known locally as Cattedrale di Acerra, is a splendid testament to the town's rich cultural and religious heritage. This awe-inspiring cathedral, dedicated to Santa Maria Assunta, is not only a place of worship but also a beacon of architectural and historical significance.

The Historical Tapestry of Acerra Cathedral

The origins of Acerra Cathedral are steeped in antiquity, with its roots tracing back to a primitive church that likely stood on the remnants of an ancient Roman temple dedicated to Hercules. By the year 1058, this early cathedral had already established its prominence, as evidenced by the creation of the Cardinal of the Marsi, Oderisio, by Pope Nicholas II within its hallowed walls.

Throughout the centuries, the cathedral underwent numerous reconstructions and stylistic transformations. Originally adorned with twelve chapels, it saw significant Gothic influences in its design. However, the late 18th century brought about a dramatic change. In 1789, significant structural collapses necessitated the demolition of the ancient Gothic structure. The arduous journey of rebuilding began in 1791, but it was fraught with delays due to financial constraints and the lack of a definitive architectural plan. It wasn't until 1843 that the cathedral saw completion, only to face further reconstruction in 1874 under the guidance of Bishop Taddeo Garzilli, who had approved the final project before his death in 1848.

The mid-20th century saw additional interventions, and a major restoration was undertaken for the Jubilee of 2000, which included moving the marble balustrade that once separated the presbytery from the nave. After nearly two years of extensive restorations and liturgical adjustments, the Acerra Cathedral was inaugurated and returned to its full glory on October 19, 2013, during a solemn Eucharistic celebration presided over by Cardinal Crescenzio Sepe, the Archbishop of Naples.

Architectural Grandeur

The exterior of Acerra Cathedral is a striking example of Neoclassical architecture. Designed by Michele Manlio from Bitonto, the façade is characterized by eight grand columns with Ionic capitals, which rest upon a spacious atrium paved with basalt and limestone, creating a chessboard-like pattern. This majestic entrance sets the tone for the grandeur that lies within.

Stepping inside, visitors are greeted by a Latin cross plan with three naves divided by sturdy pillars, crowned by a magnificent dome. The left nave houses several notable artworks and relics. The first chapel features a revered wooden crucifix, while the second chapel boasts a 17th-century painting by Giovanni Bernardo Azzolino, depicting Christ and the Virgin welcoming a soul into heaven. This chapel also contains a fragmented marble slab from 1583. Moving further, the third chapel presents a painting of the Veil of Veronica.

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Artistic Treasures

The right side of the central nave is home to a remarkable painting by Jusepe de Ribera, known as Lo Spagnoletto. This artwork, depicting St. Jerome in the desert with the announcing angel, is a testament to Ribera's intense pictorial style and international acclaim. The original painting is displayed at the Capodimonte Museum, but the cathedral houses an authenticated workshop copy, meticulously restored in 2013 to its former splendor.

The ceiling of the central nave is adorned with decorative coffers, adding to the overall aesthetic appeal of the interior. The transept features a barrel vault and an early 18th-century painting of the Deposition on the left altar. Adjacent to this is the sacristy, with its pavilion vault and stucco decorations that create a pattern of pilasters and panels. The sacristy also houses a canvas depicting the Assumption and a late 15th-century funerary inscription. An ancient holy water font from the Gothic church, adorned with a bas-relief of the Madonna in glory and the faithful, precedes the entrance.

The Presbytery and Beyond

The presbytery, located beyond the transept, is a focal point of the cathedral. To its left stands the marble episcopal throne, featuring fragments from the Renaissance period, and behind it, a grand 19th-century walnut choir. The back wall of the presbytery showcases a painting of the Madonna of the Assumption, created by Giacinto Diano in 1798.

The right altar, following the chapel of the Blessed Sacrament, displays a 16th-century high-relief and a painting by E. Fiore from 1877, depicting the martyrdom of St. Conone, accompanied by a relic of the saint. The first chapel on the right nave contains a painting of St. Nicholas and the marble tomb of the Servant of God, Rossella Petrellese, whose body has rested in the cathedral since March 24, 2010.

A visit to the Acerra Cathedral is a journey through time, offering a glimpse into the town's rich historical and artistic legacy. Whether you are an art enthusiast, a history buff, or a devout pilgrim, this cathedral promises an unforgettable experience, steeped in beauty, reverence, and timeless charm.

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